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Endnote My great indebtedness is to Dr. John Klein, professor at The Washington University in St. Louis and Dr. Keith Eggener, professor of the Univerwity of Missouri-Columbia, for their sincere help and encouraging me to complete this essay. i Opportunity vol. 12 (Dec., 1934), p. 372. ii Romare Bearden & Harry Henderson, A History of African-American Artists, Pantheon Books, New York, 1993. iii..

III. Bearden’s Philosophy and Theme of Art “Art Should be understood and loved by the people. ” “Modigliani, Picasso, Epstein and other modern artists studied African sculpture to reinforce their own design concepts. This would be perfectly appropriate for any Negro artist who cared to do the same. The critic asks that the Negro stay away from the white man’s art, but true artist feel..

II. The World of Romare Bearden I like to divide Bearden’s artistic career into five stages such as a cartoonist, realistic painter, religious painter, abstract expressionist, and a cubist artist in terms of his physical styles and using materials. But, for inner side of his works, I would like to stress that it is impossible for Bearden to separate his socio-realistic and sympathetic eyes on..