Endnote

 

 

Endnote

 

1) Young-Jae Lee and Yong Su
Lee, The Genuine Works of
Chung-Hee Kim (Seoul:
Durimedia, 2005), 19 -20.
2) Clement Greenberg, “Avant-
Garde and Kitsch,”Art in
Theory 1900 - 2000 (MA,
Oxford, Victoria: Blackwell
Publishing Co, 2003), 543.
Originally appeared in the
Patisan Review (1939)

3) Clement Greenberg, “Avant-
Garde and Kitsch,”36-38.
James D. Herbert,“ The
Political Origins of Abstract-
ｅxpressionist Art Criticism: The
Early Theoretical and Critical
Writings of Clement Greenberg
and Harold Rosenberg,”
Stanford, California; Stanford
Honors Essay in Humanities,
No. 28, 3-5.
4) The notion of“ general publics”
in this paper is followed by the
notion of that by Kant. General
public means the whole range of
people, not limited.

5) Young-Jae Lee and Yong Su
Lee, The Genuine Works of
Chung-Hee Kim (Seoul:
Durimedia, 2005), 19.

6) Young-Jae Lee and Yong Su
Lee, The Genuine Works of
Chung-Hee Kim (Seoul:
Durimedia, 2005).

7) Clement Greenberg, “The Plight
of Culture,”in Art and Culture
(Boston: Beacon Press, 1961),
22-33.
8) But others such as Serge
Guilbaut argues that even
though Greenberg’s thought
was based on Marxism
Greenberg started to depart
from this period. (1939) Serge
Guilbaut,“ The New Adventure
of the Avant-Garde in
America,”October 15, 1980,
66.

9) I mostly agree with him, but I
believe there are some Marxist
ideas in Greenberg’s writings
such as“ Avant-Garde and
Kitsch (1939),”and“ Towards a
newer Laocoon (1940).”But it
is true that after this period
Greenberg moved to
‘Trotskyism’rather than
‘Marxism’by arguing that
artists should be separated from
all constraints to reach
individual’s freedom and free
of thought. And after all
Greenberg insists of‘ Art for
Art Sake,’in other words,
‘Purity in Art or Pure Art Form
-Flatness.’
10) Serge Guilbaut,“ The New
Adventures of the Avant-
Garde art in America,”
October (Winter, 1980), 155-
156.
11) Clement Greenberg, “Avant-
Garde and Kitsch,”Art in
Theory 1900 - 2000 (MA,
Oxford, Victoria: Blackwell
Publishing Co, 2003), 566.
12) Clement Greenberg, “Towards
a Newer Laocoon,”Art in
Theory 1900 - 2000, (MA,
Oxford, Victoria: Blackwell
Publishing Co, 2003), 564.
13) Ibid, 564-567.

14) Ibid, 566.

15) Clement Greenberg, “The
Decline of Cubism,”Art in
Theory 1900 - 2000 (MA,
Oxford, Victoria: Blackwell
Publishing Co, 2003), 577-
580.
16) James D. Herbert,“ The
Political Origins of Abstract -
ｅxpressionist Art Criticism :
The Early Theoretical and
Critical Writings of Clement
Greenberg and Harold
Rosenberg,”Stanford,
California; Stanford Honors
Essay in Humanities, No. 28,
13.

17) Clement Greenberg, “Abstract
Art,”Clement Greenberg
(1944), vol. 1, 199-200.
18) Ibid, 201.

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