모암문고 茅岩文庫 The Moam Collection

Romare Bearden, Morning of the Rooster, 1980 IV. Conclusion Until now I have traced the main motifs in a whole range of Romare Bearden’s works by surveying his representative works. While I am studying Bearden’s life and his work I have realized again it is almost impossible to articulate and to explain exactly because of his broad scope tendency and his deep and invisible philosophy of art..

* Bibliography 1. Herbert Read, A concise History of Modern Sculpture, 1965 2. Albert E. Elsen, Origins of Modern Sculpture, 1974 3. Penelope Curtis, Sculpture 1900-1945, 1999 4. Rosalind E. Krauss, Passages in Modern Sculpture, 1998 5. Rosalind E. Krauss, The originality of the Avant-Garde and other Modernis Myths, 1996 6. Robert Goldwater, What is Modern Sculpture?, 1969 7. Robert Rosenblum, ..

The Final Exit to Reach for the Art Through the art theory studies of Clement Greenberg (1909~1994) in the West and Chung-Hee Kim (1786~1856) in the East Yong-Su Lee The Art Institute of Chicago The Moam Collection Huh Ryeon, 「Portrait of Chu-sa Chung-Hee Kim」& Chung-Hee Kim, 「Orchid(In-jeong-hyang-too)」, Private Collection Jackson Pollock & Jackson Pollock, 「Greyed Rainbow」, 1953, O..

The Final Exit to reach for the Art 3. Limits of Greenberg’s art theory Immanuel Kant & His Tombstone Even though Greenberg was the most influential art critic in modern era his theory of art was challenged by many other artists, art historians, and art critics. I would like to point out two problems with his theory of art. Greenberg in his article “Towards a Newer Laocoon,”insists the au..